What Happens When You Finish a Book

I have some writer friends, professionals who make much of their living from writing, who finish one book and immediately start another. No downtime. No decompression. No wait between. I don't make my living from writing and don't usually have to do that.

l declared my latest book done this morning and sent it in to the Editor. About 73,000 words. A western/historical. I understand there may be edits down the line but for now I can let that work slip out of my mind. Or can I? Easier said than done.

The first part of the book was a bit of a struggle but once the characters jelled it became a lot of fun. And now it's done. And I don't have another book contract immediately. I have a few minutes to breath. But on my walk I found myself working over the ending of the book again. I had to make myself stop. And last night when I went to bed, I had to force my thoughts into unusual channels because I was not still writing the book, only giving it the final read through to make sure it was as good as I could make it.

Now, what am I going to do with myself today? Well, if you're reading this then you know one thing I'm doing. It's not a book but I'm going to write something today anyway. This blog, and probably a short flash fiction I've been asked to do. But not the book I've lived with for the past four months (give or take).

And what will I do tonight when I lay down to sleep? Every night for months now I've been living inside that book for a little while when I laid down. Tonight I won't need to. Tonight my thoughts will be free. That's kind of scary.

Heroika Skirmishers

Quite a few years ago now I fell in love with the "Thieves World" anthology series. These were one of the very first "shared world" anthologies, in which different writers wrote tales in the same setting and had the characters interact with each other. A writer that really caught my attention from that series was Janet Morris, and I went on to read many books by her. She's one of my favorite fantasy authors.

A couple of years back, I got an opportunity to write a story for an anthology called Heroika Skirmishers, which was conceived by Janet Morris. This is the second in the Heroika series. The first was Dragon Eaters, and I've read and reviewed that one on Goodreads and Amazon. It was an excellent collection.

I was incredibly thrilled to be able to write a story for Ms. Morris and I'm happy with the tale that came out. It's called, "In the Season of Rust." The editor of the anthology, A. L. Butcher, is doing a series of short interviews with the authors in the book, and with their characters. I had fun with that, particularly for my character, who is named "Sheaugu." That interview has gone up now and you can find it here if you're interested. I hope you are.

If you'd like to see more about the book, you can find it on Amazon:

Avenging Angels Dream

It's been something of a dream of mine to work on a book series beside other writers whose work I value. Finally, it's come true. Late last year I was offered a chance to write a book for Wolfpack Publishing's ongoing western series, The Avenging Angels. I took the leap and am glad I did. That book is out now and is called "Avenging Angels: The Wine of Violence." 

The house name for the series is A. W. Hart, but such writers as Peter Brandvold, Richard Prosch, Wayne Dundee, and Chuck Dixon have handled the reins. I got my chance with book #7. 

The Avenging Angels series features twin brother and sister, Reno and Sara Bass, who become bounty hunters after their family is brutally murdered by outlaws. Their preacher father urged them to root out evil and they are doing it one bullet at a time. 

In The Wine of Violence, Reno and Sara travel to the Ozark Mountains of Arkansas (my old stomping grounds), to uncover and stop a plan to build a criminal empire. Reno goes undercover in a town full of outlaws and finds himself caught up in a mystery. Is the preacher who leads the town a voice for good or a ruthless murderer? 

In the end, Reno and Sara have to rely on their guns to survive the day. If you like action oriented westerns, this might be a book for you. The whole series is certainly worth reading. It would tickle me no end if you bought a copy and read it. And if you do, a review would be icing on the cake! It's available in both ebook and print.

1-18-2020: Local Mysteries Intrigue Author:

Since 2007, I’ve lived in the country outside Abita Springs, Louisiana, on a dirt road surrounded by woods. It lies in a sparse community of mostly trailer houses on other dirt roads. And it is a nexus of mystery. First there was/is the house. While most houses in the area are trailers or modular homes, this is a nice two story, possibly the most beautiful house in the neighborhood. And yet it lies abandoned. For a while, there were clothes hung on the rail of the back porch, as if set out to dry. Those finally rotted away. But at night, lights come on inside and a single ceiling fan begins to rotate. I’ve never seen a car there, or a person. I no longer walk past it.

One day I discovered a whole set of women’s clothes—socks, jeans, sweater—lying just off the ditch on one of the roads. They were arranged in the shape of a person sleeping on their back. Another time I discovered a white van run off the road into the woods. It was empty, with broken windows. I told the police about the clothes and the van. Nothing ever came of it.

My son and I discovered an unfinished wooden shed in the woods about fifty yards behind my house, clearly hidden from the road. It has since nearly rotted into the ground. We also discovered a bloated wild pig carcass in a ditch. I’ve found other unsavory things—deer heads, fish carcasses, and once a huge smear of what looked like blood across a gravel road. I’m pretty sure the dead animals and blood were from hunters throwing out the parts of their hunts that they didn’t want to take home. Pretty sure.

In the last couple of years, periodic explosions have rocked our neighborhood. Usually we’ll hear a big bang, or maybe just feel vibrations. One of these explosions was explained as an accident when someone was burning trash, but the authorities haven’t even acknowledged the others that have been reported by local residents.

In the last few weeks, another little mystery has reared its head. I often pass a house on my walks where there is a strange sound. It sounds like someone slapping their hand on a road sign, a kind of “spang.” And it’s very regular. Each time I’ve heard it, I’ve stopped and tried to figure it out; today, I realized that it’s coming from underground. As a writer, my first thought was, someone imprisoned in a cellar is tapping a metal cup on a water pipe to get attention. Then the rational part of my mind kicked in. It’s far too regular to be a person. It’s clearly mechanical and maybe it has something to do with these folks’ plumbing. Maybe. Or…

They say mystery is the spice of life. My life outside Abita Springs has been pretty spicy.  

Surrounded by Friends for the Holidays

From the post that follows, don’t imagine that I’m lonely for human companionship. Far from it. Lana is here. I’ve spoken with my son and should see him and his wife, Heidi, and new son (my beautiful grandson Silas) soon. I’ve been on the phone and visited with friends and family. I stay in touch with many on facebook. But today, I’m posting about a different kind of friend. Some might call them the imaginary kind, but if you’re a reader you’ll know it’s more than that.

Joe Lansdale is just off to my right as I type this. T. Chris Martindale, Robert McCammon, David Morrell are close by. Well, their books are; their characters are. I’ve never met these writers, but their books and characters like Hap and Leonard and John Rambo are long-term friends and companions. Shirley Jackson and Charlee Jacob are there. These two writers themselves are sadly gone, but the books remain my friends—although Charlee’s works are not exactly the kind one brings home to mother. Even H. P. Lovecraft is there, a curmudgeonly uncle if there ever was one.

To my left sits Robert E. Howard and the single largest collection of lit-friends. As I look at them now, I reach for a book or two to share a nod with Kull and Bran and Dark Agnes. But Edgar Rice Burroughs and his creations are calling from behind. John Carter, Tarzan, Jane, David Innes, Dejah Thoris, Carson Napier loom larger than life at my shoulders. And right next to them are Dray Prescot, Delia of Delphond, Elric, Druss the Legend, Raven, Croaker, Eric John Stark, and a hundred others—Brak, Kothar, Kyrik, Thongor, Aldair—you know I could go on.

I can go around the room and name them: Poul Anderson’s Flandry of Terra, the Witch World characters of Andre Norton, Hammer’s Slammers and the Dorsai, the Lost Regiment of William Forstchen, Paul Atreides and Captain Blood, Repairman Jack and all the magnificent characters of Thieves’ World. The Traveler and the Destroyer and the Survivalist. The Shadow and Spider. Dumarest of Terra, Doc Savage, and Blade (more than one by that name). Harry Potter and Hermione. The Sacketts and all their kin. Some aren’t even human—The Black Stallion, Flame, Desert Dog, Big Red, White Fang, Buck, Old Yeller, Kalak.

There are plenty works by writers I have met and can call friends: James Reasoner, Sidney Williams, O’Neil De Noux, James Sallis, David Lanoue, Candice Proctor, Rexanne Becnel, Shauna Roberts, and others I know well enough that it feels like we’ve met even if we haven’t—Paul Bishop, Richard Prosch, Bruce Boston, Danette Haworth, Charles Nuetzel, Seth Lindberg, David West, Chris LaTray.

And these days, there’s even some of my own literary children in the mix: Ruenn MacLang, Trenton Banning, Thal and Krieg and Bryle, and three little foxes named Emris, Lyder and Flis. It’s a pretty full house for the Holidays. I’m happy.

Game of Thrones: An Ending

Lana and I just finished watching the final season of Game of Thrones last night. It seems like everyone else in the world has already shared their disappointment with the finale, so I’ll do my take. Warning: Spoilers ahead.

I had zero interest in Game of Thrones when I first heard of it. I hadn’t read the books and hadn’t been in the mood for what I thought would be “High Fantasy” for years. But Lana, my wife, was captivated. She kept telling me I’d like it, and at some point I sat down and watched an episode. I was immediately hooked. It wasn’t High Fantasy, but some semi-historical combination of High Fantasy and Sword & Sorcery. There are folks who’ve told me they don’t like Game of Thrones. They’re entitled to their opinion and I’m entitled not to care.

The settings, the characters, the ambience were all excellent. The acting was terrific. There was tons of intrigue but it never got in the way of moving the story forward. I quickly developed strong attachments to the characters. Some I empathized with and came to love, like Tyrion Lannister, and some I came to hate, like Cersei Lannister. Some went from one extreme to the other, and sometimes back again, like Jamie Lannister, Arya Stark, Sansa Stark and Grey worm.

Then came Season 8. I certainly empathize with the writers who had to try and bring this sprawling epic to a satisfactory close. They were working without a net by now, having gotten ahead of the books by George RR Martin, and there were numerous plotlines to bring together. Many viewers have described season 8 as feeling rushed, and I agree. There was so much to get done and some of it did not get its due. This is one reason I was particularly irritated by some of the “wasted” time in the final season. There were long, long scenes of characters mourning, of characters waking up and trying to figure out where they were, of characters staring in shock. The mourning scenes and shock scenes were necessary but far too prolonged, and this time could have been better used.

The most difficult part for me to deal with in season 8 was the change in some of the characters. Tyrion suddenly becomes a bumbling, love-sick fool, Daenerys Targaryen—an awesome character—takes a 90 degree turn into viciousness, Jon Snow seems to periodically lose his spine. Oh, there was some justification given for all these changes, but it felt very cosmetic and…contrived. I think the problem was, in large part, that they killed the Night King fairly early in season 8 and then needed another villain. Cersei was available but her movements were constrained, and so they had to make Daenerys a villain—or felt they had to. (See my last paragraph here for another possibility.)

Despite these complaints and the somewhat ham-handed forcing of the characters into awkward actions to close the storyline, I thought there was quite a bit of good in the final season. For example, Arya using an assassin’s trick to kill the Night King was perfect. I heard one critic say it should have been Jon Snow, and Jon was used poorly in the end of that episode, but it was right to have Arya do it. It should have been Jon clearing the way for her to reach the Night King, however. In addition, the ending of the Hound in conflict with his brother was spot on, I thought. And I thought it appropriate for Cersei and Jamie to die together, buried by rubble in the depths of the castle that Cersei had ruled for so long and so monstrously. I thought the end of Jon’s story was also right, even though it was emotionally painful for the viewer—at least this viewer. He was kind of a Moses character in some sense and thus could never quite reach the promised land. I liked Arya sailing off to chart new lands. I liked the bantering and bickering among the new King’s council near the end. It sounded just right to me.

And finally, Daenerys’ end. It seems to me that Game of Thrones was her story. She was truly a doom-driven hero, and her descent into madness was perfectly suited to drama, even if it was both hard to watch and so rushed as to make it hard to believe. In the end, having Jon Snow kill her the way he did was the only choice left to these characters. And to have her carried off by her last surviving dragon was a nice touch. So, I watched Game of Thrones. I don’t regret it. It won’t be easily forgotten in the years to come.

Out of Dreams: Nightmares

Most years I do a little more for Halloween than I've done this year. I have been busy writing, though, and some good things should start to show up pretty soon. In the meantime, I wanted to take Halloween to make an official announcement of the publication of Out of Dreams: Nightmares, a collection of short stories based upon the weird dreams I've had over the years. 

This has been out for a little while now but I haven't really promoted it. There was going to be a post from another blogger that was going to kick this off but they seem to have disappeared from the scene for the moment. I didn't want to wait longer. 

Some of these stories have been published elsewhere but not previously collected. Others are brand new to this publication. There's also a lengthy essay toward the end of the book on how to use dreams to enhance creativity. It's something I've given presentations on before but I've never written it up for publication before. 

Out of Dreams: Nightmares is available in print and ebook on Amazon. The print version is only $6.00, which is pretty cheap these days. The kindle version is $2.99. I hope you'll check it out. 

Book Report for October 2018 to October 2019

I've done a reading report each of the last several years here on my blog. Time for another one. I've mentioned it here before but my way of keeping records is kind of unusual so I'll quickly explain again. I keep my yearly reading records from October 14th of one year through October 13 of the next. October 14th is my birthday, so that's why I do it that way. 

This was a good year for me. I read 129 books, up from 106 last year. I'm pretty sure I owe the increase to taking it a little easier at my job in the aftermath of last year's heart attack. It also seems I found a bunch of books I really liked this year and so I tore through them at a fast pace.

For the first time in quite a few years, Westerns led the parade. I read 29 of those. This is certainly due to me writing a lot of western related material this past year, including the novel The Scarred One, the short stories for Scott Harris's four 500 word anthologies, and some stories for another western collection that I plan to put together in the next year or so.

Second on my most-read list was Mystery/Thriller, with the main emphasis on the thriller side. I read 23 of these, due mostly to Harlan Coben, whose books I've been devouring at a high rate of speed. An interesting development (at least to me), is that for the first time I separated Men's Adventure from other types of Thrillers. This is because of the Men's Adventure group on Facebook, where I've been having a lot of fun talking about this kind of book. I didn't start separating these out until late in the year, however, so I only have 5 official Men's Adventure books on my list. That'll probably go up next year.

Non-fiction was next on my list, with 14. These generally fall into three categories: science books, books on writing, and books on heavy metal music. I separate these on Goodreads but not in my word processing list, which I like to keep to one page.

SF and Fantasy took slight dips this year, ending up at 9 and 10 respectively. I also read 7 classics (meaning books by folks like Hemingway etc), and 7 poetry books, both slight increases over last year. I got sent several poetry books this year from folks who know I do reviews and that's probably why that number went up a little bit.

I could go on but I may have overstayed my welcome on this post already. I do love talking about books. Here's to a great 2019-2020 reading year for everyone!

The Color of the Day is Yellow

The trees and ditches are spattered with yellow along my walk this morning. In the woods it’s mostly leaves changing into their autumn attire. There’s still a lot of green but here and there a yellow flag flutters, pale or lemony or tending toward brown. And poking through the litter of leaves and twigs on the ground are a few yellow sprigs of fern. I suspect the ferns and some of the leaves on the plants in our backyard are yellow because it’s been dry.

Yesterday we had some rain, though, and the ditches are yellow with blooming flowers. There are at least four different species, the bouquets of duller yellow that I call ragweed, tiny little yellow starbursts about the size of a pencil eraser, bigger five petalled yellow flowers, and the biggest of all, standing on stems two to four feet high, yellow-orange blooms half the size of your palm with multiple petals that make them look like sawblades.  

Even the sunlight is yellow this morning. I guess it’s that kind of day. I think I’ll have a couple of eggs with yellow yokes, toast with yellow butter, and maybe some lemonade. 

Interview with Yours Truly

Lee Forman, a fine writer himself and an editor over at Sirens Call, conducted an interview with me a while back and it appears today on his blog. I hope you'll check it out. 

A SINGLE BREATH

A whale surfaces. Exhales. Foul air spumes thirty feet high. The droplets fall, winking with sunlight beneath the blue sky. The whale draws a fresh breath. It flows crisp and cool into his lungs before he slides back beneath the waves. He doesn’t dive, just lets himself slowly sink, using his flippers and fluke only for balance.

This whale is old, tired. He hasn’t eaten in a while. He wants to rest. No other whales are around. He’d been swimming with a small pod but had fallen behind. That doesn’t seem to matter.

The water is a clear and diffuse yellow here just beneath the surface. It glows warm from the sun and the whale wants to hang onto that warmth. But the effort required to do so is tremendous. He sinks a little further, his flippers stroking fitfully at the water.

Yellow light turns green, then turquoise. The water cools a little. It’s like a vast liquid gem, flawed with bubbles and whorls of current. There are no fish, no krill. He is at the center of the turbulence. Then the turbulence dies away. The green water darkens toward emerald. He sinks.   

How much farther does he need to travel to reach the krill fields? Will there be anything left when he arrives? Will any of the other whales still be there? His flippers stir, then still.

He sinks a little more. The water is purple now, like twilight at the surface. But unlike at the surface, there is no wind, no roughness of waves. The ocean has a silken stillness to it. A memory comes. His first mate. Her flank brushed his, sometimes as silken as this ocean, sometimes so barnacled-rough that it scratched his flesh.

The memory passes. The ocean darkens. He drowses.

The world is black when he awakens. He drifts through a formless void. A faint pressure in his lungs lets him know that he will need to rise soon. He will have to breathe, and the surface is a long swim away now.

Then light distracts him, glittering, dancing light. He recalls youthful nights, broaching beneath a festival sky strewn with stars. A song stirs deep within but does not pass his throat. These lights are not stars; they are luminescent plankton stirred by his decent through their level. And he is not young. There is no song left.

 The moment is here. He must swim now or never swim again. The surface is far away; his lungs begin to strain. Working his fluke and flippers, he begins to rise. Then he stops. The plankton have drifted away from him. He is in blackness again. Alone. The water is cold, cold.

All tension bleeds from his body. He sinks. Deeper and deeper. At some point he exhales. And the bubbles rise. In a while they will burst on the surface, and there will never be more.     

Animal Stories: Reading and Writing Them

I read everything I could get my hands on as a kid, but my top three favorite genres were Science Fiction/Fantasy, Westerns, and Animal stories. My very first “favorite” book, which I read over and over and over, was Pagoo, by Holling Clancy Holling. There are no people in this tale; it’s the story of a Hermit Crab in search of a new shell.

Most of the time, there were no, or very few, people in Jim Kjelgaard’s stories. Desert Dog was a well loved book for me. It tells the tale of a Greyhound abandoned in the desert who has to learn to survive. And then there was Kalak on the Ice, a story of a mother polar bear and her cubs.

There were people in Walter Farley’s Black Stallion books, but the focus for me was always on the horse. And Farley also did the Island Stallion books, in the first of which we get to know the Island Stallion living on his own, with no people around.

Of course, there was Call of the Wild and White Fang by Jack London, which I also loved. But I didn’t stop reading animal stories when I “grew” up. I read The Incredible Journey and Watership Down and many others. Just recently I read Lad a Dog, and loved it.

 

When my son, Josh, was little, I told him many animal stories, particularly about two groups of mice called the Watermelon Mice and the Pumpkin Mice. As a writer who wants to tell the kinds of stories that I love to read, it was inevitable that I would write an animal tale or two. And finally I have.

Some fifteen years ago I started and stopped a novella called “Farhaven,” about three orphaned fox kits trying to find their way to an animal sanctuary. In 2018, I finished that story, and also wrote a tale of “The Pumpkin Mice” called “Dreamtellers.” After submitting these two tales to several agents and publishers without finding even one who wanted to take a look, I’ve decided to publish them myself, along with a couple of other children’s stories I’ve done over the years which did sell. Part of the reason for me pushing to get them out rather than spend more time trying to sell them traditionally is that I’m about to become a grandfather. And that’s a pretty important step in a man’s life. It should be commemorated in some fashion or another.

And so, I’m introducing here a book called “Farhaven &Other Stories.” This is what it looks like and it’s available in print from Amazon already. I will be putting out an ebook of it in the next few weeks, although it’s only in print at the moment. I hope you’ll take a look. And thanks for reading!

Speculations: A Weird Poet's Review

Speculations: Poetry from the Weird Poets Society, 2018: Mind’s Eye Publications, 123 pages, Edited by Frank Coffman, Illustrated by David M. Hoenig.

The Weird Poets Society was founded in 2016 by Frank Coffman on facebook as a group for published poets in the “Weird, Horrific, Supernatural, Science Fictional, Fantastic or otherwise clearly Speculative” genres of poetry. There are nearly 200 members, including myself. I believe it was in 2018 that Frank suggested publishing a collection of work from the members, and this first work, printed in the spring of 2019, is what I’m reviewing here. Twenty-eight poets are included, most with two individual poems. Some of these poems were previously published but many are brand new to this collection. Each contributor has a little “about the poet” paragraph included as well, and it was interesting to see the wide range of experiences exhibited by the members.

The poets included are Manuel Paul Arenas, F. J. Bergman, JP Bloch, Bruce Boston, Anton Cancre, Frank Coffman, Scott J. Couturier, Harris Coverly, Don Gillette, Patricia Gomes, Charles Gramlich, David M. Hoenig, Geoffrey A. Landis, Randall D. Larson, Lisa Lepovetsky, John C. Mannone, Kurt Newton, Kimberly Nugent, Cindy O’Quinn, Michael Picco, Ken Poyner, Peter Rawlik, Brian Rosenberger, Randy D. Rubin, Jessica Amanda Salmonson, David Schembri, John W. Sexton, and Don Webb. Although I’ve heard of—and read pieces by—quite a few of these folks, the only people whose writings I’ve consumed regularly were Boston, Landis, and Salmonson. I’ve also been in an anthology with Lisa Lepovetsky and spent many years in REHupa with Frank Coffman. Some other contributors here are highly accomplished even if I haven’t crossed paths with them before. Patricia Gomes is the poet laureate of New Bedford, Massachusetts. F. J. Bergman has won numerous awards, including two Rhyslings.

It’s always a little awkward for a poet or writer to review a collection that he/she is a part of. The readers will have to decide for themselves whether that devalues my comments. My pieces here are both recent poems from me called “When Night Calls to Hearts Pledged to the Sun,” and “They Rise to a Kiss.” Each has religious element and “When Night Calls” was partially inspired by a dream.

Leaving my pieces aside, my favorite pieces were by Bruce Boston, “A Stray Grimoire,” and “Pavane for a Cyber-Princess,” the latter of which I had read previously and which definitely fits the character of an ‘epic’ poem to me. I’ve made no secret of my admiration for Boston’s work over the years and have reviewed most of his poetry collections already. Boston’s list of accomplishments is a long one and his reputation in speculative poetry is well deserved. It’s quite a pleasure for me to final share a TOC with him.

I will say I felt quite comfortable and pleasantly happy with being included in this collection. There’s a range of styles, from free verse, to haiku, to formally structured traditional forms. We have the complexity of Coffman’s “Residual Murder” mixed with the deceptive simplicity of Kimberly Nugent’s “A White House.” There are playful, almost limerick-like pieces such as Salmonson’s “Bag,” and the formal power of Landis’s “The Price of Magic: Illusion’s Lure.” Nothing here felt forced or as if it didn’t belong. The language was fresh throughout and highly visual. There are no “clunkers.”

I’ll mention two other poets here whose pieces, back to back in the collection, particularly captured me while reading. These were John C. Mannone, with “Cycles,” with phrases such as “sackclothed moon” and “like Icarus with melted wings,” and the excellent “At the Mountain of Dreams” by Kurt Newton, which had such a nice melodic flow to it that I’ve already reread it several times now.

Top the poetry off with some dynamite illustrations by David M. Hoenig, and you have a really fine package that I am most pleased to be a part of. If you'd like to purchase a copy, the link is here: 

Spirit Vessels: By Dennis Formento

Spirit Vessels: By Dennis Formento: Foothills Publishing, 2018, 78 pages. ISBN: 978-0-921053-27-9.

Spirit Vessels is the first chapbook that I’ve read from Dennis Formento, who lives in Slidell, Louisiana and is active in the local poetry community here. I’ve not met him personally but was interested in reading some of his work since I’ve heard good things about it from other local poets.

Spirit Vessels is Formento’s most recent collection and is a substantial work. The poems are free form and often leap from image to image. Some words that occurred to me frequently as I read through the pieces here were “jazz” and “improvisation.” A few pieces struck me as having surrealistic elements, but many more are what I would call “nature” poems. Local Louisiana elements are common but expand far beyond the usual swamps and gators. And there are plenty of references to natural environments outside of Louisiana. Most of this “nature” material is not pretty nature but reflects the damage done by pollution, coastal erosion, and climate change. These are not, for the most part, happy poems, but they present a realistic, if dramatic, view of the changing world environment.

I don’t want to suggest that such nature poems make up the entirety of the collection. There is plenty of variety here. But it was these pieces, such as “Water,” “Poem: ‘Useless’” and “Bayou Paddle,” that were the most memorable and effective to me. If you'd like to purchase a copy of the book, the publisher's site is here: 

There are at least two more collections by Formento that I know of, Looking For An Out Place, and Cineplex. I’ve got copies of both of these and since I certainly enjoyed Spirit Vessels very much I’ll be looking forward to reading and reviewing these as well.

The Best of the West, Edited by Joe R. Lansdale

The Best of the West, edited by Joe R. Lansdale, subtitled “An anthology of western writing from the western writers of America.” Doubleday & Company, 1986, 178 pages.

This is a collection of stories selected by Joe Lansdale, and including in introduction by Lansdale. Before I talk about the individual stories, I’ll give my overall viewpoint. I’d generally say I enjoyed most of the tales but the title is very misleading. A better title might have been, “Tales of a New West,” or something along those lines. Most of these tales are nowhere near  traditional westerns. Lansdale is clear in the introduction that that was what he was looking for but the title certainly would have led me to expect a different sort of collection.

Here are my thoughts on the stories:

At Yuma Crossing by Brian Garfield:  Actually set in the traditional western timeframe but a bit unusual in characterization. Overall, fairly traditional. In it, a man called the “Gringo” comes out of the desert to cross a river by ferry, but finds the ferry stranded on the far bank. He also finds an old man and woman, and a young girl who appears to be Indian. The old man is dying. The Gringo is depicted largely as an anti-hero, but he does seem to be susceptible to sympathy for the young girl. Anthologists often put their strongest tales up front and at the end. I don’t know if Lansdale intended that here but Garfield’s story was my favorite in the book.

Take a Left at Bertram by Chad Oliver: I’ve enjoyed work by Chad Oliver before. His story here is far from traditional, however, and I didn’t get a lot out of it. It’s well written and short but lacks conflict. Two men go fishing in Texas in the modern day. They are way out in the wilds and a temporal rift occurs that brings some stone age hunters together with the fishermen. Nothing happens, though, and the phenomenon disappears as fast as it came.

The Second Kit Carson by Gary Paulsen: a flash fiction piece set in the modern world. The narrator is a drunk and it’s unclear how much of what happens was real and how much he imagined. Nothing traditional in this piece. Well written, but it didn’t do much for me.

Night of the Cougar by Ardath Mayhar: This one is pretty traditional as to setting, but the hero is a woman, a mother who has to protect her child from a cougar while on the road in the dark. Lots of conflict here, lots of suspense, and some very fine writing. One of the top stories in the anthology.

Jasper Lemon’s Ba Cab Ya Larry by Lee Schultz: A poem. Only two pages. Interesting and enjoyable.

Stoned on Yellow by LoLo Westrich: Completely modern setting, with a touch of mystical seasoning. Well written, but more of a horror or magical realism tale than a western.

Making Money in Western Banking by Jeff Banks: Pretty traditional. We have a group of outlaws who are robbing banks. One has decided to quit but is persuaded to go on one last job. As you can guess, things don’t work out. A fun story, with a bit of humor.

Cutliffe Starkvogel and the Bears Who Liked TV by John Keefauver: Again, set in the modern world. I couldn’t find any connection at all to my concept of a western. If anything, it was again a kind of magical realism. A postman is the main character and is delivering hair growth liquid to a man he knows. As the stuff apparently starts working, the man goes into hiding and the postman tries to spy out what is happening. That’s where the “bears” come in, and I can’t say much more or I’d reveal the twist. This tale was perfectly well written and was probably intended to be humorous but it didn’t really work for me. Probably my least favorite in the anthology,

A Bad Cow Market by Elmer Kelton: A modern tale but with western tropes. The bottom has fallen out of the cow market and a rancher is about to give up on his dream. He is reminded, though, of how much the place means to him and finally hits on a possible way to save his ranch. This is a character study mixed with a certain amount of yearning for the simpler life. I thought it was very well written and enjoyed it.

Peaches by Lenore Carroll: A cute tale. Fairly traditional in setting. A buffalo hunter comes to town with a hankering for peaches only to find out that the local madam has bought all the canned peaches up for herself and her girls. The hunter has to do some quick thinking to try and get his share of the peaches. I enjoyed it. A fun tale.

Judas and Jesus by Thomas Sullivan:  Another fairly traditional tale. We have the trope of the world weary gunfighter who happens to have his guns named Judas and Jesus. He rides into another town only to be confronted by a little kid who wants to chance him but doesn’t have a gun. Some very fine descriptive writing here and an emotional ending that I liked a lot.

Sallie C. by Neal Barrett, Jr.: I’ve much enjoyed many of Neal Barrett’s books. This particularly story is not a favorite for me, however. It’s mostly a kind of reveal story, with a certain amount of “almost” magical realism in it. There’s not a lot of conflict but some. Well written but I personally didn’t find a lot of payoff in the ending.

The Nighthawk Rides by William F. Nolan: This was one of the more interesting tales in the book, but very traditional in the sense that it’s basically a “Zorro” story told with a different character in a different setting. It’s also written as a teleplay rather than in traditional prose. Nolan mentions in the introduction to the story that it came about when he was asked to create a teleplay for a Zorro type TV series. It was never produced, though, and you’ll get a laugh out of why. Anyway, I liked this story quite a bit. One of my favorites in the collection.

The Bandit by Loren D. Estleman: An old outlaw gets out of prison and tells his story to a newspaper man while he’s waiting for a train. The setting is largely modern although the story within the story takes place in the past with a robbery gone wrong. Think “The Great Northfield Minnesota Raid.” Well written, as you’d expect. There was a real lack of tension since the events being told about happened long ago in the story. However, the ending twist is the reason why the tale was told in that fashion. Enjoyable but not one of the strongest tales in the collection in my opinion.

A Lucid Dream

I had a somewhat unusual lucid dream last night. For those of you who don't know, a lucid dream is one in which you realize you're dreaming. In some lucid dreams you can completely control the dream, and in such cases I immediately start to fly. However, last night's dream was more one where I  came slowly to understand I was dreaming, and was trying to convince Lana of it, but I couldn't make radical changes in the dream flow.

It started when we had just gotten up in the morning and a small portable radio on our counter started playing on its own. I turned it off, then remarked to Lana that it was weird. I began looking around with a frown, and then told Lana that everything felt weird. She indicated that everything seemed normal to her. I told her that I thought we were in a dream, and she laughed. She watched me then as I did my "dream test," which is to see if I can jump up and touch the ceiling. I told her that if it were a dream I would be able to "hang" in the air for a moment. I tried it, and did not quite touch the ceiling, but there was a definite feeling of floating so I became absolutely convinced that it was a dream. Lana still argued against it.

Lana was getting dressed and then I realized that we were supposed to go to court this morning. I don't know why but I was going to be the defendant. We arrived at the courthouse (magically apparently) still arguing over whether this was a dream. As I went in the courthouse I was looking around for some mischief to get into. Lana directed us to a couple of plush seats and we sat down and then I smiled at her triumphantly and said:

OK, if this isn't a dream, can you explain to me why Batman is our judge?

Adam West was our judge, and his Batsuit was folded up on a chair beside him. I told Lana to watch this and got up from my chair with the intent of stealing the batsuit. West saw me, though, as I approached, and I turned to try and hide my intentions and he said in his classic Batman voice:

"Have spin moves become pat of the defendant's repertoire these days?"

At which point I laughed and woke up.

Capsule Reviews: Reasoner, Prosch, Whalen

Capsule Reviews:

1: Faraday: The Iron Horse, by James Reasoner.

James Reasoner creates some iconic characters and sets up a western series with a dynamite opening book. I understand there was a series of these books published in the past in which the sequels were written by other authors, but I haven't read any of those. I did much enjoy this one though.

Matthew Faraday runs a detective agency, a competitor to the Pinkertons. He brings young Daniel Britten onto his team and sends him to investigate an apparent attempt to sabotage the western expansion of the railroad. Someone is informing the Sioux of the movements and vulnerabilities of the "Iron Horse" and Britten soon begins to accumulate suspects.

We have a pretty good mystery built up here, and then a wild free-for-all ending in which the mystery is revealed and the action rolls. A really strong ending. Two particularly well developed secondary characters were Sam Callaghan, a rough frontiersmen drawn along the lines of Wild Bill Hickock, and Mordecai Vint, a peddler with a love of strong drink who also has a beautiful daughter--Laura. I have a feeling that Callaghan plays a role in the later books in the series. I liked him quite a lot.

All in all, an excellent and entertaining read.

2. Stage Fright, by Richard Prosch.

Stage Fright is the fourth book in the Dan Spalding series. Spalding is a music buff and record store owner in Ozark City who frequently gets involved in solving local crimes and helping local citizens. He's a bit of a Knight Errant, as in John D. MacDonald's Travis McGee, and the Spalding books evoke a similar feeling in me.

I've enjoyed all the previous entries in this series and this was no exception. A quick, taut thriller with lots of action and suspense.

3. Tragon of Ramura, by John M. Whalen.

This is the first book I’ve read by John M. Whalen, but it won’t be the last. It’s a standalone novel. The writing is very good, with a lot of action and well-drawn characters and settings. I’d classify it as Sword & Sorcery. Tragon is our main hero. He’s strong and courageous, but no Conan. He struggles with fears and doubts; he isn’t always top dog in a fight. One of the things I liked about the story is that it’s not just Tragon’s tale. It’s really an ensemble cast and several times we see other characters pull Tragon’s butt out of the fire. I particularly enjoyed Yusef and Darius.

The story begins when Tragon and his crew, who have been labeled pirates but hold that title in name only, arrive at a coastal town of “Afkira,” a fictionalized Africa. They are hired by a man named Hestus Variano to help him rescue his daughter from a city of sorcery called Caiphar. Mayhem ensues, of course, and Tragon finds that he has a strange connection to the daughter of Caiphar’s king. I won’t give more of the plot away so you’ll need to read it to find out what that connection is.

Whalen is certainly familiar with the tropes of Sword and Sorcery and adventure fiction. There are  elements in the tale which will likely remind many readers of Burroughs’ stories of Opar. There’s also a few twists on the general Sword and Sorcery concept. All in all, I enjoyed it quite a lot.

Missing Time!

So, the Causeway bridge is marked every 1/10 of a mile with a sign and is 24 miles across. For me coming across in the morning, the distance counts down from 24 to 0. At around 16 miles the bridge rises dramatically and there is a drawbridge that allows big boats to pass through from one side of the lake to the other. Normally, the drawbridge is down of course, as it was this morning.

The drawbridge itself is a metal grid that can be raised. It’s very different from the concrete that makes up the rest of the bridge and is very noticeable in both appearance and in the sound and sensation you get crossing it. Somehow, this morning, I missed it. In fact, I experienced about a 7 minute time-gap. I remember noticing that I was at 19.4 miles on the bridge countdown. Then suddenly I was at 12.3 miles. I’d passed 7 miles and roughly 7 minutes in the blink of the eye.

One possible answer to the missing time is that I was abducted by aliens. They obviously released me very quickly and I can understand why given all the spicy food I ate yesterday. They must also have released me before any actual probing because I don’t seem to have any residual effects from such an experience.

Another possible answer, far more prosaic, is that I was so focused on my thoughts that I simply blanked out the outside world. I was going over my lecture notes for classes this morning so I would have something of an excuse for such deep cogitation. The thing that is a bit scary about this, though, is that I seem to have been essentially “unconscious” for 7 minutes while operating a very large and potentially dangerous piece of vehicular equipment. What’s more scary to me, is that there were probably other folks on the road with me who were doing the same thing.

I’d say be careful out there but from my experience this morning it looks like being mindless didn’t hurt anything. There were no wrecked cars or blue lights in my wake when I “woke” up at 12.3 miles. Perhaps the mind is not such a terrible thing to waste after all.

Black Gate Interview, with Seth Lindberg

As far as publications and other literary endeavors go, January 2019 has been the most successful month that I’ve had in a long time. Quite a lot of things have appeared. I figured it was worth a blog post. Helps me keep everything straight myself, so here they are—in no particular order.

1. Interview. I did an article a couple of years ago for Weird Fiction Review #7 on the “beautiful and repellent” in the work of such Weird Tales authors as Robert E. Howard, C. L. Moore, and Clark Ashton Smith. Seth Lindberg, a fine writer himself, did an interview with me about that subject and it went up early today over on Black Gate. We get into some interesting topics so you might enjoy checking it out.

2. Deep Fried Horror appeared from Deadman’s Tome. My story here is called “Sing In Me, Muse.” Where does inspiration come from? You may not want to know.

3. I had five poems go up at Altered Reality Magazine. This includes an SF Story-poem I wrote called “Far Beyond Home,” which I’ve always had a fondness for but which has never gotten much love from magazines. Until now!

4. My alter ego, Tyler Boone, has also been busy. He’s got a short story up at Rope and Wire called “Hard-Luck Hannah.”

 5. Mr. Boone also appears in Bourbon & a Good Cigar with a story called “The Law In Liberty.”

There's a couple more things coming up soon from me, so I may update this post if they happen in January. As always, thanks for visiting!

Klaw: Fieldhouse

Klaw, by W. L. Fieldhouse: Tower Books, 1980, 208 pages. 

I've known about this series for a while but had not read any. This is the first book in the series and seems pretty much an origin story. It's no secret, if you see the covers, that it features a gunfighter who has lost his hand and has a "claw" attachment for that arm. What might not be clear is that other things can be attached to the prosthesis as well, which allows him to shoot a gun and do other things. 

After starting this book, I had to check to make sure that W. L. Fieldhouse was not a pseudonym for Terry Harknett, who wrote the infamous "Edge" series under the name George G. Gilman. He's not, but it seems clear to me that the Klaw series was modeled after the Edge series. There's the same gory brutality to the shooting scenes, the frequent use of the phrase "feller," and even the same kind of wisecracking chapter endings that identify the Edge series. 

There are some differences, however. Klaw, originally identified as John Klawson, is a more sensitive fellow than Edge, at least throughout this first book. There's also some actual sex. Edge often has the opportunity to engage in sex but generally does not. In this book, Klaw actually develops a strong attraction to a woman and there is a fairly lengthy sex scene. Klaw is also driven by a higher moral code than Edge, who is primarily driven simply by the urge to survive. Klaw seeks justice. 

According to sources I could find, there are three books in the Klaw series. #2 is called "Town of Blood" and #3 is "The Rattler Gang." Fieldhouse has also written a number of other books, some under his own name, as well as for the Executioner and other men's adventure series. I couldn't find much more information on Fieldhouse, although he appears to still be living. I don't know how early this book was in his career.

As for the book itself, I was actually not enamored of the opening section. There seemed to be a lot of exposition and summarizing, and the constraints of setting up the "origin" piece for the character. However, the story quickly took off and became an enjoyable, action oriented romp. The character is more engaging than Edge and much easier to root for. Overall, I thought it was quite a lot of fun. And I know that all three Klaw books are available from Rough Edges Press: The books are also available on Amazon