As I was reading this one I tried to pay close attention to Chandler's style, to see if could pick up on what makes him such an original and so often imitated. First let me say I really enjoyed the story. It captivated me as I read along. But what were the elements that lead to that captivation?
First, Chandler's writing is very simple and straightforward. There is very little poetry in his prose, unless one considers a certain starkness to be poetical. Second, the work reads like it was written quickly and was not revised very much, although I have no idea if that is actually true. I say that because I found various places where Chandler reused the same word in the same sentence or paragraph. I often do that in first drafts but usually try to change it as I revise. Third, there is almost no description of the natural world other than an occasional visual given of the sky or of rain. There is, however, a fair amount of description of man made objects within the story, such as the drapes or automobiles.
I found these three points interesting because, normally, I would say that I didn't like the way Chandler does them. I love poetical writing. I like polished prose. I love descriptions of nature and dislike descriptions of man-made materials. Chandler worked against all three of my preferences here, but I still enjoyed the read.
One might say, well, "Story is King." But the story here is not that compelling either. Basically, a mobster's girl is stepping out on him and he hires our "shamus" to take care of it. There's a couple of murders and a blackmail scheme, a couple of dames and a lot of whiskey. There's an hysterical woman who has to be slapped out of it. None of these are particularly compelling plot lines, although they certainly would have been much less predictable when this work was originally published.
The upshot of my analysis here is anticlimactic. I don't know why this booklet worked so well for me. Maybe other's have thoughts.
