RZ: Tell us a little about yourself outside of writing. Hometown. Family. Job. That sort of thing.
PAB: I grew up in a lower middle class neighborhood in Philadelphia and moved to Detroit, Michigan at 22 when my husband, Phil, finished his Ph.D. and got a teaching job in political science at Wayne State University. As my children grew, I finished my degree, eventually taking a job at Wayne State writing newsletters, catalogs, web material, and brochures for the next twenty years.
My degree is in history and I didn’t start to write until I took a poetry writing workshop in the late nineties. Having access to a university probably allowed this to happen.
RZ: What made you want to write? Is it a desire that’s always been with you? Or was there some particular event or book that ignited the fire?
PAB: I have always wanted to write but lacked the confidence to try for years. My parents were the sort of people that discouraged ambition because they didn’t want to see me get hurt if I failed. They had very limited goals for themselves and for me. Better to be a secretary or work for the phone company (which I did for years) than try something so grandiose.
But some success in the poetry workshop convinced me I had some ability. Next, I won a chapbook contest and then switched to writing stories. My poems were really stories in verse so I was able to use them as blueprints for my first stories. I took four writing workshops with the wonderful Chris Leland and his encouragement made me begin to submit stories in the late 1990s. My stories were always dark, but the first dozen or so were basically literary. Sidebar: my mother changed her mind about my writing as she grew older and was very supportive of these ambitions, realizing she hadn’t encouraged me enough earlier.
RZ: Writers always get asked about their influences. Consider this that question.
PAB: I greatly admire the short stories of Alice Munro (the early ones in particular), Raymond Carver, Bobbie Ann Mason, Flannery O’Connor, John Cheever, Mary Lavin, William Trevor, Lorrie Moore, Eudora Welty and Charles Baxter. If I were to talk about my influences as far as crime goes, I would say Patricia Highsmith, Margaret Millar and Ruth Rendell, especially her non-Wexford work. That’s the tone I strive for at least. I like short stories that have a great voice, an unusual point of view. I am not as interested in plot. Complex plots are difficult to pull off in 4000 words so just as well.
RZ: Patti, I know this is a hard question to ask a writer, but tell us about your favorite story in Monkey Justice, and why it’s your favorite.
PAB: I think my favorite story in MONKEY JUSTICE is “Raising the Dead.” It’s the story of a female photographer who comes up with the unusual, if slightly repulsive, idea of taking pictures of dead men. I like the fact that she’s a difficult woman and relate to her need to find a way to express herself. To find a way to succeed artistically. I like that the story is set in Detroit and is gritty. There are no pretty moments in the story or the book. No noble acts. She does a rather shocking thing at the end of the story. It’s not something most people can understand, but I felt it was consistent with who she was. And perhaps who I am. That’s why I tried to turn it into a novel. The novel is able to develop her, her relationship with several men, and with the city more fully.
RZ: Writing can be hard work. What motivates you to keep going? What inspires you?
PAB: Age motivates me. The idea that time is running out and I have to cram as much as possible into every day. There have always been reasons why I didn’t have enough time to write before this year, but all of them are gone now and there is nothing to do but to sit down in front of the screen and write. I am inspired by my husband who will write anytime he has ten minutes to spare. He is my greatest inspiration and my greatest supporter. He has never once suggested I put my writing aside to do something for him. I wish I could say the same.
RZ: What are you working on currently? And what’s next for you?
PAB: I have promised my writing group to spend more time in trying to place the two novels. Twice I tried to find an agent but gave up after less than a dozen queries. Again I am up against my cursed fear of failure. Better not to try than fail. Better to let the novels wither on my hard drive until someone carts me and the computer off.
I am also working on about half a dozen stories and have about that many coming out over the next few months. I also should say here that I take my blog very seriously, especially the attention we pay to forgotten books. I also like to promote other writers whenever I can. These are hard times. I don’t have to support myself through my writing and am miserable for those who do.
RZ: Besides Monkey Justice, what other work is available from you right now, and where can readers find it? Is there a place online where folks could go to learn more about you and your work?
PAB: My website has links to most of my stories still online. (http://pattinase.blogspot.com) I also have stories in the print journals DAMN NEAR DEAD 2, NEEDLE, CRIMEFACTORY: FIRST EDITION, BEAT TO A PULP: ROUND ONE and TWO, DEADLY TREATS, and D*CKED. And one in the new Ed Gorman anthology. Ed has included my stories in three of his anthologies and I am very grateful to him.
Patti, thanks so much for visiting Razored Zen.
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