The poets included are Manuel Paul Arenas, F. J. Bergman, JP Bloch, Bruce Boston, Anton Cancre, Frank Coffman, Scott J. Couturier, Harris Coverly, Don Gillette, Patricia Gomes, Charles Gramlich, David M. Hoenig, Geoffrey A. Landis, Randall D. Larson, Lisa Lepovetsky, John C. Mannone, Kurt Newton, Kimberly Nugent, Cindy O’Quinn, Michael Picco, Ken Poyner, Peter Rawlik, Brian Rosenberger, Randy D. Rubin, Jessica Amanda Salmonson, David Schembri, John W. Sexton, and Don Webb. Although I’ve heard of—and read pieces by—quite a few of these folks, the only people whose writings I’ve consumed regularly were Boston, Landis, and Salmonson. I’ve also been in an anthology with Lisa Lepovetsky and spent many years in REHupa with Frank Coffman. Some other contributors here are highly accomplished even if I haven’t crossed paths with them before. Patricia Gomes is the poet laureate of New Bedford, Massachusetts. F. J. Bergman has won numerous awards, including two Rhyslings.
It’s always a little awkward for a poet or writer to review a collection that he/she is a part of. The readers will have to decide for themselves whether that devalues my comments. My pieces here are both recent poems from me called “When Night Calls to Hearts Pledged to the Sun,” and “They Rise to a Kiss.” Each has religious element and “When Night Calls” was partially inspired by a dream.
Leaving my pieces aside, my favorite pieces were by Bruce Boston, “A Stray Grimoire,” and “Pavane for a Cyber-Princess,” the latter of which I had read previously and which definitely fits the character of an ‘epic’ poem to me. I’ve made no secret of my admiration for Boston’s work over the years and have reviewed most of his poetry collections already. Boston’s list of accomplishments is a long one and his reputation in speculative poetry is well deserved. It’s quite a pleasure for me to final share a TOC with him.
I will say I felt quite comfortable and pleasantly happy with being included in this collection. There’s a range of styles, from free verse, to haiku, to formally structured traditional forms. We have the complexity of Coffman’s “Residual Murder” mixed with the deceptive simplicity of Kimberly Nugent’s “A White House.” There are playful, almost limerick-like pieces such as Salmonson’s “Bag,” and the formal power of Landis’s “The Price of Magic: Illusion’s Lure.” Nothing here felt forced or as if it didn’t belong. The language was fresh throughout and highly visual. There are no “clunkers.”
I’ll mention two other poets here whose pieces, back to back in the collection, particularly captured me while reading. These were John C. Mannone, with “Cycles,” with phrases such as “sackclothed moon” and “like Icarus with melted wings,” and the excellent “At the Mountain of Dreams” by Kurt Newton, which had such a nice melodic flow to it that I’ve already reread it several times now.
Top the poetry off with some dynamite illustrations by David M. Hoenig, and you have a really fine package that I am most pleased to be a part of. If you'd like to purchase a copy, the link is here: