The poets included are Manuel Paul Arenas, F. J. Bergman, JP
Bloch, Bruce Boston, Anton Cancre, Frank Coffman, Scott J. Couturier, Harris
Coverly, Don Gillette, Patricia Gomes, Charles Gramlich, David M. Hoenig,
Geoffrey A. Landis, Randall D. Larson, Lisa Lepovetsky, John C. Mannone, Kurt
Newton, Kimberly Nugent, Cindy O’Quinn, Michael Picco, Ken Poyner, Peter
Rawlik, Brian Rosenberger, Randy D. Rubin, Jessica Amanda Salmonson, David
Schembri, John W. Sexton, and Don Webb. Although I’ve heard of—and read pieces
by—quite a few of these folks, the only people whose writings I’ve consumed
regularly were Boston, Landis, and Salmonson. I’ve also been in an anthology
with Lisa Lepovetsky and spent many years in REHupa with Frank Coffman. Some
other contributors here are highly accomplished even if I haven’t crossed paths
with them before. Patricia Gomes is the poet laureate of New Bedford,
Massachusetts. F. J. Bergman has won numerous awards, including two Rhyslings.
It’s always a little awkward for a poet or writer to review
a collection that he/she is a part of. The readers will have to decide for
themselves whether that devalues my comments. My pieces here are both recent
poems from me called “When Night Calls to Hearts Pledged to the Sun,” and “They
Rise to a Kiss.” Each has religious element and “When Night Calls” was
partially inspired by a dream.
Leaving my pieces aside, my favorite pieces were by Bruce
Boston, “A Stray Grimoire,” and “Pavane for a Cyber-Princess,” the latter of
which I had read previously and which definitely fits the character of an
‘epic’ poem to me. I’ve made no secret of my admiration for Boston’s work over
the years and have reviewed most of his poetry collections already. Boston’s
list of accomplishments is a long one and his reputation in speculative poetry
is well deserved. It’s quite a pleasure for me to final share a TOC with him.
I will say I felt quite comfortable and pleasantly happy
with being included in this collection. There’s a range of styles, from free
verse, to haiku, to formally structured traditional forms. We have the
complexity of Coffman’s “Residual Murder” mixed with the deceptive simplicity
of Kimberly Nugent’s “A White House.” There are playful, almost limerick-like
pieces such as Salmonson’s “Bag,” and the formal power of Landis’s “The Price
of Magic: Illusion’s Lure.” Nothing here felt forced or as if it didn’t belong.
The language was fresh throughout and highly visual. There are no “clunkers.”
I’ll mention two other poets here whose pieces, back to back
in the collection, particularly captured me while reading. These were John C.
Mannone, with “Cycles,” with phrases such as “sackclothed moon” and “like
Icarus with melted wings,” and the excellent “At the Mountain of Dreams” by
Kurt Newton, which had such a nice melodic flow to it that I’ve already reread
it several times now.
Top the poetry off with some dynamite illustrations by David
M. Hoenig, and you have a really fine package that I am most pleased to be a
part of. If you'd like to purchase a copy, the link is here:
4 comments:
Congratulations on being published as a poet!
www.thepulpitandthepen.com
thanks, man
Congratulations! What a cool idea for a group and an anthology.
Alex, yes, it's a lot of fun
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