I saw a post the
other day on “50 of the most beautiful sentences in literature.”
I liked many of
these but this is a long way from any list I’d put together. For example, one
choice on the list was: “She was lost in her longing to understand.” From
Gabriel Garcia Marquez’s, Love in the Time of Cholera. The problem
with this, for me, is that it’s obvious. There’s nothing profound. It seems
almost cliché.
Another weak one,
to me, was: “Once upon a time there was a boy who loved a girl, and her laughter
was a question he wanted to spend his whole life answering.” From Nicole
Krauss, The History of Love. This seems maudlin to me, and cliché. I don’t
like it at all.
On the other
hand, some that I did like were: “In our village, folks say God crumbles up
the old moon into stars.” From Alexander Solzhenitsyn’s One Day in
the Life of Ivan Denisovich. This is lovely. It resonates to me. It evokes
a sense of history and place. It wouldn’t make my list of 50 favorites but it’s
good.
I also liked
“Isn’t it pretty to think so, by Ernest Hemingway, from The Sun Also
Rises. But my favorite on this list was: “Let the Wild Rumpus Start,” By
Maurice Sendak from Where the Wild Things Are. This was Josh’s favorite
book when he was a kid and I loved, loved, loved reading it to him. This one
would certainly make my list.
So what would be
some of my other personal favorites? Well, many of them would come from
Peter Matthiessen’s The Snow Leopard, which is my favorite book of all
time. Here are a few:
“Figures dark
beneath their loads pass down the far bank of the river, rendered immortal by
the streak of sunset upon their shoulders.”
“We have
outsmarted ourselves, like greedy monkeys, and now we are full of dread.”
“Left alone, I am
overtaken by the northern void—no wind, no cloud, no track, no bird, only the
crystal crescents between peaks, the ringing monuments of rock that, freed from
the talons of ice and snow, thrust an implacable being into the blue.”
“In the gaunt,
brown face in the mirror—unseen since late September—the blue eyes in a monkish
skull seem eerily clear, but this is the face of a man I do not know.”
“At dusk, white
egrets flapped across the sunken clouds, now black with rain; on earth, the
dark had come.”
“In the early
light, the rock shadows on the snow are sharp; in the tension between light and
dark is the power of the universe.”
“The mountains
have no ‘meaning,’ they are meaning; the mountains are.”
“My foot slips on
a narrow ledge; in that split second, as needles of fear pierce heart and
temples, eternity intersects with present time.”
“In his first
summers, forsaking all his toys, my son would stand rapt for nearly an hour in
his sandbox in the orchard, as doves and redwings came and went on the warm
wind, the leaves dancing, the clouds flying…”
A beautiful sentence is surprisingly subjective in many cases.
ReplyDeleteIt is interesting how our neural wiring and temperament cause us to resonate with some lines and not others. Research avenue, Charles?
ReplyDelete" Only one thing
has to change for
us to know happiness
in our lives: where
we focus our attention. "
Greg Anderson
ALOHA, Friend
ComfortSpiral
(\__/)
(='.'=)
(")_('')
Greedy monkeys full of dread - I like that one.
ReplyDeleteThanks for the link and for the Matthiessen lines. “Figures dark beneath their loads…” is particularly good.
ReplyDeletePatti, so it would appear.
ReplyDeleteR. T., an extremely important part of any beautiful sentence to me is the rhythm and poetry of it.
Cloudia, it is a curious phenomenon.
Alex, and so true.
Elgin, there are many other great lines in his book. Thanks for dropping by.
And then I remember someone in a writing class tell us that if a sentence is so perfect that it sticks out, get rid of it! Although I do like a strong first sentence in anything I read, whether a paragraph or novel.
ReplyDeleteInteresting, Charles; I haven't read Matthiessen. I find so many "great lines" either banal or pretentious and a sign that an author is trying way too hard.
ReplyDeleteSage, I've heard that too. Kill your darlings. I do believe there needs to be consistency in a written piece but beautiful language is its own reward.
ReplyDeleteCandy, often times I agree. For me, it's usually the more descriptive images that make me see a scene very powerfully that I love.
Charles, I wonder if in the case of non-English writers, the lines aren't lost in the translation. I liked some of the other sentences.
ReplyDeleteSme of your selections sound to me like they were written by Cormac McCarthy, who puts many fine word pictures in his sentences.
ReplyDeleteOne of my favorite sentences...
ReplyDelete"I don't know half of you half as well as I should like; and I like less than half of you half as well as you deserve.” From The Lord of the Rings
R.T., I'll check it out.
ReplyDeletePrashant, I suspect they often are.
Oscar, He's going to be my next selection. I like his stuff a lot
Travis Cody, excellent
Call me cynical, but I'm betting that 30 of the most beautiful sentences composed in English are currently sitting in a slush pile on Manhattan's Lower East Side.
ReplyDeleteI have to agree with you, both on the cliches (I could never stand reading Garcia Marquez - I wanted to fall asleep, trying him in both in English and Spanish), and the good ones! I still love Where the Wild Things Are.
ReplyDeleteX. Dell, I would not be surprised actually.
ReplyDeleteRiot Kitty, I bought a copy of where the Wild things are for myself a few years back. Josh has his copy of course
I like your list much better. The samples of ones you didn't like are passive mush.
ReplyDelete